Film 366 | 2016
In 2015, I delved into the wonderful world of film. It ended up exceeding my expectations in so many ways. A plethora of good things have happened to me since I started shooting film, such as getting published in Lemonade & Lenses, and being featured on Little Bellows. The biggest highlight was stumbling upon several medium-format cameras and a large-format camera. It was the opportunity to really dig into film that I would have never imagined possible for myself. Next, after the excitement of shooting with film, I had the additional boost of discovering the thrills of the darkroom. What a year it has been; it was a time that I completely fell head over heels in love with film. The tangible reaction of the light hitting the silver halides in the film emulsion just makes my heart leap each time I press the shutter.
To make 2016 another great year, I am committing to a 365 project where I shoot film each and every day this year. This is my second 365; in my previous one, I used my dSLRs. What do I love about the experience of doing a 365, and why I would want to do it again? It gives me the reason to really experiment and take risks. It also holds me accountable to my desire to continue growing as a photographer. It’s a ritual, when performed daily, that gives my pursuit a reverence. I've come to understand that the best work is produced when there is positivity and dedication. I've read about how the most determined writers pick up their pencils every day; in fact, all who are truly serious about achieving do practice every day. If we commit in this way, we are the ones most likely to have the greatest chance of success.
This project is about being both grateful and ambitious. It is forward motion. This is not at all like my first 365 where I could pretty much guarantee for myself a good image each day by shooting with a digital camera. (I was able to upload and edit, reshoot, each day as needed.) Now, I am relying on my abilities, the light or lack of light, and the uncertainty of my ability to make a good image each time I swing the bat. I am going to strike out a lot: incorrect exposures, boring compositions, and missed focus. I am embracing this vulnerability as an opportunity to really relish the times that I knock it out of the park. I can't wait to see what 2016 brings; my vision is a bit blurred at the start, but I have a feeling it's going to be magnificent.
It's tangible.
1/366 | Pentax 645N | Portra 800 | Desaturated
2/366 | Pentax 645N | Portra 800 | Desaturated
3/366 | Pentax 645N | Portra 800 | Desaturated
4/366 | Pentax 645N | Portra 800
5/366 | Pentax 645N | Portra 800
6/366 | Pentax 645N | Portra 800
7/366 | Pentax 645N | Portra 800
8/366 | Pentax 645N | Portra 800
9/366 | Pentax 645N | Portra 800
10/366 | Graflex | FP-3000b instant film
11/366 | Pentax 645N | Portra 800
12/366 | Pentax 645N | Portra 800
13/366 | Pentax 645N | Portra 800
14/366 | Pentax 645N | Portra 800
15/366 | Pentax 645N | Portra 800
16/366 Hasselblad 500 c/m | TMY 400 | D-76
17/366 sick day
18/366 Holga | Tri-x 400 | D-76
19/366 Pentax 645N | HP5 | D-76
20/366 Pentax 645N | HP5 | D-76
21/366 Pentax 645N | HP5 | D-76
22/366 Pentax 645N | HP5 | D-76
23/366 Rolleiflex 2.8F | Neopan Acros 100 | D-76
24/366 Rolleiflex 2.8F | Neopan Acros 100 | D-76
25/366 Pentax 645N | HP5 | D-76
26/366 Pentax 645N | HP5 | D-76
27/366 Pentax 645N | HP5 | D-76
28/366 Pentax 645N | Portra 800
29/366 Hasselblad 500 c/m | Tri-X 400 | Rodinal
30/366 Hasselblad 500 c/m | Tri-X 400 | Rodinal
31/366 Hasselblad 500 c/m | Tri-X 400 | Rodinal
32/366 Darkroom | Silver Gelatin | Finn in Ferns
33/366 Rolleiflex 2.8 F | Tri-x 400 | Rodinal
34/366 Rolleiflex 2.8F | Tri-X 400 | Rodinal
35/366 Rolleiflex 2.8F | Tri-X 400 | Rodinal
36/366 Rolleiflex 2.8F | Tri-X 400 | Rodinal
37/366 Rolleiflex 2.8F | Tri-X 400 | Rodinal
38/366 Pentax 645N } Portra 800
39/366 Pentax 645N } Portra 800
40/366 Pentax 645N } Portra 800
41/366 Pentax 645N } Portra 800
42/366 Pentax 645N } Portra 800
43/366 Pentax 645N } Portra 800
44/366 Armed | Graflex Crown Graphic | Delta 100 | D-76 | Contact Sheet Scan
45/366 Millenium | Graflex Crown Graphic | Delta 100 | D-76 | Contact Sheet Scan
46/366 Pentax 645N | Portra 800 | Desaturated
47/366 | Rolleiflex 2.8F | Rolleinar 2 | Trix-400 | D-76
48/366 | Rolleiflex 2.8F | Trix-400 | D-76
49/365 Pentax 645N | Tri-X 400 | D-76
50/366 Rolleiflex 2.8F | Tri-X 400 | D-76
51/366 Pentax 645N | Tri-x 400 | D-76
52/365 Holga | Portra 800
53/365 Holga | Portra 800 | Desaturated
54/366 Darkroom | Silver Gelatin
55/366 Holga | Portra 800
56/366 Holga | Portra 800
57/366 Holga | Portra 800
58/366 Darkroom | Silver Gelatin
59/366 Canon Ftb |Portra 400
60/366 Holga | Portra 800
61/366 Holga | Portra 800
62/366 Darkroom | Light on Lashes | Silver Gelatin
63/366 Pentax645N | Tri-X| D-76
64/366 Pentax 645N | Tri-X | D-76
65/366 Pentax 645N | Tri-X | D-76
66/366 Hasselblad 500 c/m | Ektar 100
67/366 Pentax 645N | Tri-X 400 | D-76
68/366 Pentax 645N | Tri-X 400 | D-76
69/366 Pentax 645N | Tri-X 400 | D-76
70/366 Pentax 645N | Tri-X 400 | D-76
71/366 Pentax 645N | Tri-X 400 | D-76
72/366 Rolleiflex2.8F | Tri-X 400 | D-76
73/366 Pentax 645N | Portra 800 | theFINDlab
74/366 Rolleiflex 2.8F | Delta 3200 rated at 1600 | D-76
75/366 Pentax 645N | Portra 800 | theFINDlab
76/366 Darkroom | Feeling | Silver Gelatin
77/366 Pentax 645N | Portra 800 | rated @400 | theFINDlab
78/366 Pentax 645N | Portra 800 | rated @400 | Sunny 11 | theFINDlab
79/366 Pentax 645N | Portra 800 | rated @400 | theFINDlab
80/366 Pentax 645N | Portra 160 | rated @320 | pushed one stop | theFINDlab
81/366 Pentax 645N | Portra 160 | rated @320 | pushed one stop | theFINDlab
82/366 Pentax 645N | Portra 160 | rated @320 | pushed one stop | theFINDlab
83/366 Rolleiflex 2.8F | Delta 3200 | rated @1600 | D-76
84/366 Rolleiflex 2.8F | Delta 3200 | rated @1600 | D-76
85/366 Hasselblad 500 c/m | Portra 800 | rated@400 | theFINDlab
86/366 run amiss - just not into it
87/366 Pentax 645N | Fuji Pro 400H | pushed 1 shop | theFINDlab
88/366 missed again - i don't even have a good excuse!
89/366 Rolleiflex 2.8F | Tri-X 400 | D-76
90/366 Darkroom | Spirited | Silver Gelatin
91/366 Hasselblad 500 c/m | Portra 800 | rated@400 | theFINDlab
92/366 Pentax 645N | Fuji Pro 400H | pushed 1 shop | theFINDlab
93/366 Pentax 645N | Fuji Pro 400H | pushed 1 shop | theFINDlab
94/366 Hasselblad 500 c/m | Portra 800 | rated@400 | theFINDlab
95/366 Rolleiflex 2.8F | HP5 | rated@1600 | D-76
96/366 Darkroom | 3 of us | Silver Gelatin
97/366 Pentax 645N | HP5 | rated @1600 | D-76
98/366 Pentax 645N | HP5 | rated @1600 | D-76
99/366 Pentax 645N | HP5 | D-76
100/366 Pentax 645N | HP5 | D-76
101/366 Pentax 645N | HP5 | D-76
102/366 Pentax 645N | HP5 | D-76
103/366 Pentax 645N | HP5 | D-76
104/365 Pentax 645N | HP5 | D-76
105/365 Pentax 645N | Fuji Neopan Acros 100 | D-76
106/366 Canon Ftb | Portra 160 @ 320 | theFINDlab
107/366 Pentax 645N | Fuji Neopan Acros 100 | D-76
108/366 Pentax 645N | Fuji Neopan Acros 100 | D-76
109/366 Pentax 645N | Fuji Neopan Acros 100 | D-76
110/366 Darkroom Day | Portrait Project - Kids in the Carts | Silver Gelatin
111/366 Pentax 645N | Fuji Neopan Acros 100 | D-76
112/366 Canon Ftb | Portra 160 @ 320 | theFINDlab